Cover reveal & Giveaway for Kara Jemal’s YA Distopian, Dominick.

I LOVE this cover! Check out the blurb & Giveaway details below. This one sounds awesome. 🙂

DOMINICK _ Book Cover

Title: Dominick (A Prequel to Inferno)

Author: Kara Jemal

Genre: YA dystopian

Release Date: March 2015

Publisher: Glass House Press

Goodreads Link: https://www.goodreads.com/book/show/24376214-dominick

 

Blurb: Dominick Grant had the perfect life: parents who loved him, a beautiful girlfriend, and a best friend who always had his back.  He knew who he was, and how he wanted to live his life.
But in Dominick’s world, that choice belongs to someone else — a totalitarian government that dictates the lives of its citizens, decreeing that Dominick must be separated from his girlfriend and forced to work for the very government he detests.
The question is…will Dominick accept his predetermined path, or risk making his own choices and bringing his world crumbling down around him?

About the Author:

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Kara Jemal is the writing duo of Kara Leigh Miller and David Jemal.

Kara is a 30-something, stay at home mom, multi-published romance author who enjoys writing across a variety of genres & categories: adult, young adult, new adult, romance, dystopian, and thrillers just to name a few. When she’s not writing tall-tales of love, she’s spending time with her family, friends, and good books.

David is a nineteen-year-old college student with a background in real estate who is eager to breathe life into the many stories and characters banging around in his head.  When’s he not writing, he’s reading or working out.

Website: www.karajemal.com

Facebook: www.facebook.com/KaraJemal

Twitter: www.twitter.com/KaraJemal

Rafflecopter Giveaway:

LINK: http://www.rafflecopter.com/rafl/display/885c9b9321/

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THE EMBERS OF LIGHT IS COMING SOON!

Get ready! January 28th will be here sooner than you think. 🙂

You can pre-order the paperback of THE EMBERS OF LIGHT, the second book in The Dia Chronicles Here.

And here are some teasers for you. We’ve got new conflicts, new characters, and lots of drama for you in book two.

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Publishing Books Is Like Investing, NOT like winning the lottery.

Publishing books is like investing, NOT like winning the lottery.

Of course, we all wish it was. It would be nice to write your debut novel, see it published, and suddenly it becomes an overnight success, but chances are that’s not going to happen.

Hopefully, what really happens is that you write a book, gain some fans, make some sales, and write another book.

Each book you write is an investment in your future, and your career. When you save for retirement, do you put $100 on a stock and hope it grows to a million? Noooo. You save over time, build on what you have, and diversify your portfolio.

Publishing books is very similar. You have to keep writing books, keeping depositing into your writing portfolio, and keep growing your audience.

I realized this when I released the first two novellas in my Highborn Chronicles a few months ago. My first novel, The Darkness of Light, was starting to slip in sales and I was still months away from releasing the sequel. Then I released The Highborn Chronicles and suddenly sales jumped across the board. I was bringing in new readers that also bought my first book, and my current readers were excited for something to tide them over until The Embers of Light comes out. So the more I write, the more readers find me, and the more my other books sell. The formula is so simple.

Now, like investing, there’s a chance not all of your books will make gains all the time. That’s just the nature of the business. I’ve noticed months where I make a lot of sales, and months (like December) when book sales tend to decline. That doesn’t mean you are a failure, and that doesn’t mean you should quit writing books.

WRITE MORE!

The more you write, the higher the chances that you’ll eventually create that gem that makes the rest of your work soar. If your first book didn’t do so well, write another, change your approach, expand your knowledge of the craft. Giving up means NOT investing. And I think we all know by now that investing in your future is something we all HAVE to do. 😉

Happy writing.

 

 

Kat Daemon’s KILLING DARKNESS IS HERE!

Killing Darkness, the long awaited sequel to Kat Daemon’s Taming Darkness is finally here and I can’t wait to read it! *THROWS ALL THE CONFETTI!*

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Powerful, beautiful, and covered in scars…

Powerful, beautiful, and covered in scars…

Brielle, born of a mortal-immortal union between a human mother and the devil Himself, is prophesied to be the one capable of turning the tide in the brewing apocalypse.

As Brielle’s thirtieth birthday draws near, she strikes a deal with the devil and sets out on a journey of self discovery. In an attempt to comprehend what it means to be fully human, Brielle finds herself at the door of her therapist, Adam. Blurring relationship lines and questioning everything, she quickly learns that humanity, vulnerability, and love are things she isn’t prepared to handle. Distancing herself, she finds shelter in her father’s arms once more.

Two worlds are about to collide…

When the archangel Michael suddenly takes a deep interest in Brielle, Lucifer begins to understand that his greatest opponent is curious about more than just her choice. Michael’s fall will be Lucifer’s rise and only Brielle holds the key to making it happen.

With a human, an angel, and a demon all tearing at her heart, Brielle realizes it’s time to decide if her loyalties lie with Michael in Heaven or her father in Hell.

PURCHASE LINK: AMAZON

ABOUT THE AUTHOR

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Kat Daemon grew up in New York where her imagination always seemed to get the best of her. When she’s not hanging with demons, she’s usually armed with a strong cup of coffee and dreaming up her next tormented character.

She is the author of the The Darkness Saga. Book one of the saga, Taming Darkness, the story of the world’s most infamous fallen angel and the one woman who was able to hold temptation over him, is available now.

You can find out more about Kat and her books at www.katdaemon.com

The only thing I ever learned from critics is that I’m not made of steel.

You never learn anything from critics.

Sometimes inspiration and insight come from the strangest places. Yesterday, none other than Shia LaBeouf turned on a light bulb in my head. I know, right—how strange.

I was reading Dazed and Confused Magazine’s piece on him. It’s a fascinating article about (who I feel) is a young man struggling to find inner balance in the face of personal turmoil, professional mistakes, and fame. I was fascinated as I read the article, but when I came to one simple line: you never learn anything from critics—I was inspired.

In my first year as a published author I’ve experienced criticism first hand. I think every author fears being judged, we’re terrified of bad reviews, and we’re terrified of failure. But we’re brave because we risk facing these things. When someone criticizes us, we take in every word like poison and let it weave its way into our minds so that we doubt ourselves.

We must STOP doing this.

We live in a society full of critics.

Every day we see tabloids cutting up celebrities, FB posts against this or against that, parents criticizing each other, politicians criticizing each other, people criticizing people.

Professional critics aside, the definition of criticism is: The expression of disapproval of something or someone based on perceived faults or mistakes.

Just the word “criticism” guarantees a negative outcome, and even when the criticism is well intentioned, if it’s unwelcome, it offers nothing constructive, what does it do for us? It cuts us down.

In one breath we hear people say: Don’t judge others. And then in the next they have a “criticism” for us. Hmmm…Something isn’t right here.

The only thing I ever learned from critics is that I’m not made of steel.

It’s taken me some time to figure this out, and here’s what I’ve decided: unless I ask for advice, unless I’ve solicited an opinion from a friend, peer, or professional, the criticism I receive does NOT require my intention.

Imagine if we all spent our days listening to what we were doing wrong. Even the toughest person would crack, eventually. Doubt is a sneaky monster, and it feeds off of criticism—in fact—that’s its favorite food. So by paying attention to criticism, you are feeding your doubt, and only hurting yourself.

In the last year I can honestly say that I’ve never learned anything constructive from true criticism. Actually, I think we should scrap the phrase “constructive criticism” from our vernacular altogether. It’s a complete oxymoron. “Constructive” means to build, criticize means to point out faults. Unless it’s advice, it’s main purpose is to tear down.

Sure, I’ve taken advice from those I asked for advice, I’ve grown based on the opinions of those I admire, and respect. But when it comes to true criticism—the kind that tells you nothing but your faults, DON’T LISTEN! DO. NOT. LISTEN.

The Lesson.

Be wary of constantly searching for reviews of your work. Be wary of Googling yourself. Be wary of those who force their opinions (of you) on you without your consent. Be open to advice. Be open to change. Be open to growth. But when that uninvited friend called criticism knocks on your door—slam that damn door shut and don’t even THINK about peeking out the window.

Even as I write this blog, the doubtful voices in my head are screaming at me: But criticism is a valuable tool. We can learn from our critics. We NEED criticism to grow.

Maybe those statements would if be true if we didn’t live in a society where we feel the right to judge each other so harshly and, often, without understanding.

The Solution.

Spend a day listening to your critics and you’ll find yourself deflated. Spend a day listening to your advisers, those whose opinions you value, and you’ll continue to grow.

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Re: Build Bridges, Not Barricades

Yesterday I came across this post Build Bridges, Not Barricades  It’s an opinion piece about positive collaboration between traditional and indie authors. Unlike my blog post on the same topic, this post took a more positive approach.

“Isn’t it my duty as a self-published author to fly the flag? If I don’t challenge these arguments, aren’t I just letting people go on believing in their old prejudices and misconceptions about self-published books? Yes, I am – because I don’t think that rising to this sort of bait is always the best way to present our case. I prefer a less confrontational approach, one that focuses on the positive. If whether or not you are self or trade published makes no difference amongst authors themselves, what’s left to argue about?”

I feel like this blog was written for me. Who knows, with the amount of people angry with the tone of my last blog, it might have been. Whatever the case, this made me take a step back and reevaluate the message I was trying to convey.

My blog post came across as defensive and judgmental. There was truth to it. But that truth didn’t shine through as positive for everyone, and now I understand why. I was reacting to feeling judged, and in turn, I judged others.

It’s natural for people to become defensive when they feel judged. In my personal life, I try really, really hard not to react to things without considering them first. I try to avoid controversial topics, I try to look at an argument from both sides before I weigh in, and I (usually) wait for my emotions to settle before I react. I’m not always successful in doing these things, but that’s always my intent.

I was approaching a topic I felt strongly about with a defensive attitude when I should have used positive examples of traditional and indie authors working together. I’ve had many such experiences, and I could have used those to bolster my point that we can all get along. Instead, my message drew a line between the two, and that’s where I was wrong.

In her blog post Lucienne Boyce said, “The fact is that to many authors, the divide either doesn’t exist or, if they are aware of it, they don’t view it as negative.”

From now on I’ll adopt this attitude, putting the negativity and bad feelings behind me, and move forward with the people I love to work with and who support me. I should have remembered there’s room for us all and we should celebrate each other, not criticize.

It’s here! It’s HERE! Kristen Strassel’s SILENT NIGHT is here!

 

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I’m excited to celebrate the release of SILENT NIGHT by Kristen Strassel! This books sounds amazing and if I could marry a cover, I think I’d marry this one. 😉

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Title: Silent Night

Author: Kristen Strassel

Age: NA

Genre: Paranormal Romance

Cover Designer: Nathalia Suellen

Scheduled to release: November 18, 2014

AMAZON

 

Blurb:

This Christmas isn’t about celebration for eighteen-year-old Kyndra, it’s about survival. Grieving the loss of her grandmother and struggling with the indifference of her family, Kyndra now splits her time between her dead-end mall job, her junkie ex-boyfriend’s bed, and the streets. Longing to be close to her grandmother one more time, she wanders into Christmas Eve mass and prays she’ll find the place she belongs. Home.

Aidan isn’t ready to let go of the past either, even though he’s had nearly three hundred years to do it. He chronicles the search for the reincarnation of his beloved wife as the vampire romance author Allison Duprois. Aidan knows the wife he mourns is out there, but fears writing their story is as close as he will get to her.

At Christmas Eve mass, he finally finds her. Alone, with no place to go.

Aidan brings Kyndra into his home, and gives her the safety, comfort and love she longs for. Though he gives her second chances she never thought she’d have, Kyndra still can’t get over Aidan’s mysterious past. Not to mention that he claims that he’s a vampire. Life alone on the streets is dangerous enough without handing her trust and love to the wrong person. Can Aidan break through the walls around Kyndra’s hardened heart to convince her that she belongs with him, forever?

*This is a companion novel to the Night Moves Series.

EXCERPT

“I need to borrow your pajamas again.”

“Follow me.” Aidan waved his hand towards the hallway. I didn’t know if he heard me or not. I wouldn’t ask again. The shadows swallowed him before he clicked the light at the end of the hallway. “I hope it’s alright. I cleaned it up, and I’m limited on short notice. With my lifestyle, I can only go to all night stores.”

He led me into an oddly shaped room, with floor to ceiling dark wood bookshelves loaded with even more books. How could one person even hope to read so many books in one lifetime? In a nook, under more shelves, was a freshly made bed with a fluffy white spread and aqua throw pillows. A pair of pink and black pajamas were folded at the foot of the bed, on top of a silver throw.

I couldn’t believe my eyes. “Did you do this for me?”

Aidan’s smile was so wide it hardly fit on his face. “I did.”

I sunk down on the bed, head in my hands. “It’s too much.”

I felt his hands on my wrists, cool from just coming in from the car. Electricity flowed from his skin to mine, sending waves beneath the surface. Was this the first time he actually touched me? “I just want you to have a place you know you can come to. No questions asked.”

Hot tears slipped down my cheeks. Why was he doing this? Why did this man I’d met two days before today care about me more than my own mother? She didn’t even call me this week. I tried to bury that hurt deep, but it bounced out when I least expected it. Being with Aidan, the pain faded, and I couldn’t remember why I wanted to fight to get away from him anymore.

“I can’t pay for this,” I whispered, my voice still breaking.

“Let me do things for you.” He pressed his forehead against mine, not moving my hands away from my face. His skin felt so refreshing against my anxiety flushed skin.

Lowering my hands, I had to force myself to meet his eyes. “Thank you.”

“My home is your home. Really. I did food shopping, too.”

“So, when you found me tonight,” I worked up the nerve to ask, “was that an accident?”

“Nothing in this world is an accident, Kyndra.” He stopped at the door, then closed it quietly behind him, leaving me to stare at it after he left me alone in this haven created just for me.

I was afraid to touch anything. Aidan left me in a snow globe and I didn’t want to break the glass. I curled up in a ball, clutching one of the pillows at the head of the bed. My head pounded, but my body so desperately wanted to let go of all the tension that had built up since I gave the keys to Memere’s apartment back.

I wanted to stay. Here.

Sitting up, I ran my finger along the edge of the piping on the pajamas. They were classic button down pjs with pinstripes, but adorned with little black stars and star buttons. The flannel felt like a hug as I pulled them on. As soon as my brain wound down to the same level as my tired body, I would be ready to sleep forever.

A book would help me relax. Ignoring the e-reader in my bag, I went straight for the wall of books. I noticed some repeats from the living room, namely the Allison Duprois books. I pulled out the hardcover version of A Piece of My Heart.

I hadn’t read these books since junior high. Memere had been a little concerned they were too mature for me, but she didn’t want to discourage me from reading. I couldn’t remember the order the series went in, so I skimmed the opening pages for the information.

First Printing, 1990.

My eyes couldn’t leave those words. That was not only six years before I was born, but twenty four years ago.

Aidan didn’t look much more than thirty. Thirty-five at most. He would have barely been a teenager at most in 1990. Tearing my eyes away from the book, I looked at the closed door. My heart pounded so hard it threatened to jump out of the neckline of my new pajamas.

This didn’t add up.

Maybe he just looked really good for his age. It was possible, with plastic surgery and manscaping and gross things like that. But Aidan didn’t seem like someone who’d be vain enough to go through all of that. This was someone who hid behind a secret identity. So maybe he would be vain enough to alter his face. Maybe I was just wrong about how old he was, but that didn’t make me feel any better. If he was old enough to be my father, that was gross on a whole other level.

I couldn’t lie to myself, I was falling for this guy. Or who I thought this guy was.

Putting the book down, I went back to the book shelf, checking the original publishing dates for all of the Allison Duprois books. So many early nineties. An anthology had a publishing date of 1988. This wasn’t a mistake.

Whatever the answer was, Aidan had lied to me about something.

 

GIVEAWAY:

Christmas stocking filled with book themed goodies + signed print copy of Silent Night

a Rafflecopter giveaway

Link: http://www.rafflecopter.com/rafl/share-code/NGE1MDEyNTkzNmEzMjcwYWY1N2NlODA1YWVlMmE3OjQ0NA==/

About the Author

Kristen

Kristen shares a birthday with Steven Tyler and Diana Ross. She spends each day striving to be half as fabulous as they are. She’s worn many hats, none as flattering as her cowboy hat: banker, retail manager, fledgling web designer, world’s worst cocktail waitress, panty slinger, now makeup artist and author. She loves sunshine, live music, the middle of nowhere, and finding new things to put in her house.

Website | Facebook | Twitter

 

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The Indie/Traditional Debate. Can’t We All Just Get Along?

You’re not the cool kid.

If you’re an indie author, I think you’ve figured out by now that we’re the underdogs, the gnats in traditional publishing’s ear, and the ones the traditionally published kids don’t want to sit with in the cafeteria.

I came in to the publishing game with rose colored glasses, a positive attitude, and a love for the supportive writing community I’d found. More than one year later the rose colored glasses are off, and I’m well aware that members of the “community” I loved so very much are often sneering at us behind our backs.

I don’t mean to say all traditional authors minimize the accomplishments of indie authors. There are many who genuinely cheer us on, showcase our books, congratulate us when we have success, and happily share the road with us.

But the judgment of indie authors is everywhere, and it’s getting harder to ignore.

I remember once seeing a tweet from an agent that said something like: Just sent a request and found out the author recently self-published. If only they’d been more patient.

People favorited this tweet and responded with euphemisms about patience, and persistence, when what they really meant was, “You idiot, you self-published when you should have waited for the right agent!”

My first thought when I saw that tweet was, “What if the author is happy with their decision?”

After I self-published The Darkness of Light I got requests from two agents. I had some discussions with these agents, exploring my options, but at no point during those interactions was I kicking myself for not waiting. When I made the decision to be an indie author, I did it wholeheartedly and without looking back. By then I’d already discovered the power I had over my career, the advantage I had over traditional publishing (mainly time and control), and the freedom to do exactly what I wanted.

There are bullies and if you speak up, they’ll target you.

If any of you follow me on twitter, you might recall the event I refer to as “Twittergate”, the day twitter FREAKED out on me. This was the day I realized our writing community was full of piranhas, and trust me—I got chewed up! During a twitter contest I’d observed some things that, I felt, came across as arrogant. I was reacting to the way some authors were criticizing entries with such detail the entrants were sure to know it was their entry being discussed. My reaction came from a place of empathy, not weakness. I wasn’t suggesting they sugarcoat things for authors in their (private) feedback. I wasn’t under the impression that this business is easy. What bothered me was the attitude with which these authors judged their peers.

“Nearly all men can stand adversity, but you want to test a man’s character, give him power.” –Abraham Lincoln.

I tweeted my opinion and within one minute my timeline blew up! I couldn’t keep up with the tweets coming at me. Some agreed with me (I got a lot of supportive DMs because people were afraid of the backlash), some respectfully disagreed with me, and many others were downright nasty. I even got a DM from a very well known tweeter who had some particularly offensive things to say to me. She’s lucky I have enough restraint not to out her. Maybe I should have, but I’d rather let her dig her own grave.

Anyway, during the flurry of tweets aimed at me that day, it became clear that the general assumption was that I was a bitter author who’d been rejected by the traditional world and was now taking shots at traditional authors whenever I could.

I have a pretty thick skin. I can take rejection, bad reviews, and harsh critiques. What really got to me that day, and what really made me sad, was the realization that I was an outsider. It didn’t matter that I had a book published and was part of the same community. With The Darkness of Light I worked hard to make sure my book went through the same filters and received the same care as a traditionally published book. But that day, when twitter lost its mind on me, none of that mattered. Because I was an indie author, I wasn’t an author, and my opinion—my voice—was insignificant.

If books are fishes, and Amazon is the ocean, we’re all swimming in it together.

It sometimes seems the traditionally published world is unhappy they have to share space with lowly self-publishers. It must be frustrating to see your book—your edited, beautifully covered, extensively marketed baby— sitting next to something your neighbor’s cousin wrote on a Thursday and uploaded to Amazon on a Friday.

It must drive you insane that all the self-published dino porn books, or books that got rejected so many times the author had no other choice but to self-publish, are sitting in the same waters as your perfect novel. After all, self-published authors are destroying literature, right?

NOT.

There were crappy books long before indie authors stepped onto the scene, and if we all disappeared tomorrow, there would still be crappy books published every single day.

But here’s the thing— indie doesn’t mean crappy. Many of us take a lot of pride in our work. We nurture our books the same way a publishing house would. Sure, we often price our books lower, but that doesn’t mean our work is less valuable. It simply means there are no publishers or agents taking a cut of our work, giving us the ability to price our books competitively.

Let’s face it, while we all want to see our books in bookstores, Amazon is the largest online bookseller in the world. If bookstores are the streams, Amazon is the ocean, and guess what—we’re all swimming in it.

I recently saw an agented (but yet to be published) author call a fellow author’s decision to self-publish “puzzling.” I’ll bet that when the agented author’s book comes out in 2018, there will be even more successful indie authors, and even more hybrid authors swimming in the same ocean with him.

Don’t let them make you feel inferior.

“It matters not what you are thought to be, but what you are.” – Publilius Syrus

As I said earlier, there are many traditional authors who support indie authors and believe in their achievements. As indie authors we are marketing experts, have a network of editors, cover artists, formatters, and bloggers willing to help us create a product we can be proud of. It’s a lot of work to be an indie author, and our traditionally published friends know and respect our efforts.

There will always be the naysayers; the ones who tell you you’re not good enough because you didn’t take the same path that they did. It’s frustrating, and oftentimes, it hurts. But when you come across one of these cynics, don’t take their judgments to heart. Just because they say you’ve settled by becoming indie, doesn’t make it true. If you have readers, your book sells, and you feel good about the career path you’ve chosen, take the high road, because there are plenty of people willing to take the low road.

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Forging Your Own Path As An Indie-Author.

It’s been quiet over here on my blog lately. If you’ve missed me, I’m sorry. If you haven’t, then I really need to step up my game. 🙂

The reason I’ve been quiet and haven’t had any nuggets of wisdom to impart is because I’ve been a little lost myself lately.

Sometime between writing my sequel and now, I had an epiphany that has me rethinking my strategy as an author, and questioning my goals. When I first wanted to see The Darkness of Light published, I did what many of us do and I queried agents. I read everything I could about publishing, agents, sales, writing…basically anything that would help me mold my book into a marketable, successful piece of fiction.

But when I couldn’t find the right agent and decided to become an indie author, there was a problem forming that I wasn’t able to see until now.

THE GOAL

The goal of most authors is to write books. Have people read those books. And make money from those books.

That was my mission when publishing THE DARKNESS OF LIGHT. I’ve said before that one mistake I made with that book was taking advice about the content, and changing it to fit a certain industry standard. I thought I was doing the right thing, since the advice was coming from someone in the traditional publishing industry. I wanted my book to stand next to any other book you might find on store shelves.

THE PROBLEM

What that advice actually did was water down my novel and cut out things that were important to readers. It became clear once the reviews started coming in that readers wanted the things I was told to cut out. Interesting, isn’t it?

So once I began to write the sequel, THE EMBERS OF LIGHT, I was much more open-minded about content and less likely to cut certain things that may have been cut by a publisher. I still used beta-readers and a content editor, but we were all aware of the issues with the last book and were able to work with less restrictions. We’ll see how that pans out once Embers is released, but I already feel more confident that the story is complete.

In the last year, as I’ve learned to balance book promotion, writing, and growth as an author, I’ve begun to form opinions about publishing as a whole. A lot of the advice I see on Twitter and other social media platforms is geared towards the traditionally published novel. There are so many rules thrown around that it’s hard to keep up: No prologues, keep word count low, avoid characters with dead parents, overly strong heroines, overly weak heroines, no love triangles, no vampires, no werewolves, no cliffhangers, etc… The list really does go on, and on, and on. It’s exhausting trying to keep up with it all, and I feel bad for writers just starting out. They’ll have to learn what works for them and what doesn’t, just like I’ve had to.

THE LIGHT BULB WENT ON

I’ve had many conversations with my indie-author friends about the state of publishing and the comparison between the indie and traditional world. What I’ve realized is that if we want to be indie-authors, we need to STOP comparing ourselves with traditional publishing! I am an indie author by choice. I wanted to control my books and my own career. I’ve said it many times: I have NO regrets about choosing this path. What I do regret is confining myself within the parameters of a branch of industry I don’t belong to.

If my goal is: Write books, have people read my books, and make money from those books, then I’ve been going about things the wrong way. I’ve been killing myself trying to follow a guideline set by the traditional world. Why? Why should indie authors not write about things the traditional world deems overdone, when there are hoards of niche market readers spending buckets of money each day to buy these books? An indie-author writing within traditional guidelines is like a person writing Facebook updates in 140 characters because that’s the rules of Twitter. They’re both social media, but they’re different. The rules are different. And the market for each is different.

Take a minute and look up the vampire category on Amazon. Or look up shifters, historical romance, or anything 50 Shades of Grey-ish. Those books are selling! People are buying them like crazy. And while many publishers have decided to abandon those platforms (leaving money on the table) indie-authors are fulfilling that need and (gasp) selling books!

We all want to be respected within our industry. We would love to receive praise and accolades based on our work. I think that’s why indie-authors constantly walk a fine line between traditional rules and reckless abandon when it comes to our books. We don’t want to be the fools of the publishing world. But, for me, walking that line had become such an obsession it started to hamper by creativity. My days became more about following guidelines than letting my imagination rule.

THE RESULT

I wrote a secret book. After talking to a friend who’s having a lot of success in one of these niche-markets, I decided to create something that those readers might like. At first I’d intended to release it under a pen name. I didn’t want anyone turning up their nose if my book failed or if it fell into the “undesirables” category. Knowing that this book would be anonymous was incredibly freeing. And I had so much fun writing it.

But as I wrote, something strange happened– I began to love the characters. I didn’t expect that. And when I read my chapters, I saw myself in that book, heard my voice, and felt connected to the story.

Yes, this is a serialized niche-market novella. Yes, it’s probably never going to win me any awards or million dollar publishing contracts. But I love it, and had more fun writing this book than any other.

THE LESSON

I’ve abandoned my intention to release this book under my pen name and decided that I will own it as Tammy Farrell! I will own the fact that I wrote it and whether it sinks or swims will have no bearing on my future endeavors. I will always write more books. Some people will love them, and some won’t. But as an indie-author, I can release books quickly, I have control over the content, and I can decide for myself what works and what doesn’t. When this secret book is ready to be released, I promise I’ll let you all know. 😉

I have to be true to myself and STOP creating things limited by rules that don’t even apply to me. Writing is art. And art should never have any limits.

So the point of the story, friends, is that if you want to be an indie author, OWN IT! Embrace it. Bend the rules however you want and don’t let anyone’s opinion create doubt in your mind.

You will find success by forging your own path, and learning from experience. If you write a book about ghost accountants, and you find readers aren’t interested in them, then write something else. You have the power in your hands. That’s the beauty of being an indie-author. The possibilities are truly endless.

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KILLING DARKNESS Cover Reveal!

I absolutely LOVED Kat Daemon’s TAMING DARKNESS, and I’m SO excited for the release of its sequel KILLING DARKNESS. Nobody writes the Devil like Kat, nobody. 😉

Check out the new cover by S.P. McConnell. It’s hauntingly gorgeous.

The release date is TBA, but for now be sure to add it to Goodreads: KILLING DARKNESS

 

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Synopsis

Powerful, beautiful, and covered in scars…

Brielle, born of a mortal-immortal union between a human mother and the devil Himself, is prophesied to be the one capable of turning the tide in the brewing apocalypse.

As Brielle’s thirtieth birthday draws near, she strikes a deal with the devil and sets out on a journey of self discovery. In an attempt to comprehend what it means to be fully human, Brielle finds herself at the door of her therapist, Adam. Blurring relationship lines and questioning everything, she quickly learns that humanity, vulnerability, and love are things she isn’t prepared to handle. Distancing herself, she finds shelter in her father’s arms once more.

Two worlds are about to collide…

When the archangel Michael suddenly takes a deep interest in Brielle, Lucifer begins to understand that his greatest opponent is curious about more than just her choice. Michael’s fall will be Lucifer’s rise and only Brielle holds the key to making it happen.

With a human, an angel, and a demon all tearing at her heart, Brielle realizes it’s time to decide if her loyalties lie with Michael in Heaven or her father in Hell.

ABOUT KAT DAEMON

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Kat Daemon grew up in New York where her imagination always seemed to get the best of her. When she’s not hanging with demons, she’s usually armed with a strong cup of coffee and dreaming up her next tormented character.

She is the author of the The Darkness Saga. Book one of the saga, Taming Darkness, the story of the world’s most infamous fallen angel and the one woman who was able to hold temptation over him, is available now.

You can find out more about Kat and her books at www.katdaemon.com