Being an author IS a job. And it’s the BEST job.

I’m tired of being told (usually in thinly veiled statements) that being an author isn’t a job. Any writer that writes on a full-time or regular part-time basis will shout from the rooftops–IT IS!

One time, not too long ago, I was feeling overwhelmed with the projects I had on the go. I had more than one manuscript in the works, I had lots of editing to do (both for myself and someone else), and I was still trying to navigate the world of author marketing for my published novel. I must have been complaining. I usually don’t mean to. I know I’m incredibly lucky to have the ability to commit my time to fulfilling my dreams. But sometimes, I just need to vent.

So there I was, bitching about all the things I had to do and the little time I had to do them in, and someone reminds me that I don’t have a 9-5, so. . .

Queue ominous music…

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I’m well aware that I don’t have a 9-5. Trust me. I know it.

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So, since I don’t have a 9-5, what do I do? Let’s take today for example. I’ve been up since six am. I threw my hair in a bun, grabbed a coffee, and sat down at my computer. I didn’t have to put on make-up. I didn’t have to drive to work. And I didn’t have to punch a clock. I don’t have a boss standing over my shoulder (since I’m the boss), and I can take a break whenever I want. It’s a pretty sweet deal, really. I’m in the comfort of my own home, working away. But I’m still working! I’m what you’d call–self-employed. ;)

My first order of business for the day was to tackle some editing. I opened one of my manuscripts (one of four that need my immediate attention), and started going through my editor’s notes. It went smoothly for a while. I got through a few chapters until the other “things” started knocking on my brain–have you checked your email? Have you made a post on your FB page so your readers don’t forget about you? Have you tweeted recently?…they say all authors should tweet, you know? Have you tracked your sales over the weekend? Have you blogged? You haven’t blogged enough, that’s part of your job as an author…

So I made another cup of coffee, set aside the editing for a bit and started on the other “things”.

I don’t know about you, but to me, that sounds a heck of a lot of work. But I like it. I don’t for one second think, I wish I was anywhere but here. And I rarely ever get a case of the Mondays.

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But here’s the thing–If I don’t do all the things I’m supposed to do, my career suffers. If I don’t write, I’m not producing a product. If I don’t spend time marketing, no one is going to buy my product. If I don’t network, I won’t have a readership or any connection with my peers.

The definition of a job is:

1- A paid position of regular employment.

2- A task or piece of work, especially one that is paid.

And guess what? Every month I get a paycheck. That’s right. On the same day, every single month, I get a direct deposit into my bank from the royalties of my book sales.
I think that sounds like a job.
But there’s one more, very important, part of this job I haven’t mentioned, and that is TIME. I don’t have a 9-5. When I’m done working for the day, my work is still staring me in the face and pinging on my phone. Again, I’m not complaining. I love what I do. But there is no 9-5 here. Last week, while trying to catch up on “things”, I worked on my laptop from 7 in the morning until 10 at night. Sure, I took breaks here and there, but by the time I was done, I was nearly blind and my back was killing me. 15 hours I worked that day. If I’d been working at an office, or anywhere else, people would say, “You work so hard.” But because I’m a writer, and I get to do exactly what I’ve always wanted to do, I’m not working.
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Now, I’m relieved to say that most people I know don’t consider my job a mere hobby or a self-indulgent diversion from the conventional standards of earning money. Most people I know say, “I don’t know how you do it. It’s amazing,” which, to me, is a compliment, and validation that I’ve done the right thing by choosing to be a writer.
I feel empathy for those who have to go to a job they hate day in and day out. Not everyone has the means to do exactly what they want. But right now, at this point in my life, I do, and I don’t think what I do for a living should be underestimated in any way. I HAVE a job. What I do is WORK. And for that work, I get PAID.
So when someone suggests that you don’t work because you’re a writer, ignore them, you’ve got too much work to do–even if it doesn’t always look like work. ;)

 

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Kristen Strassel’s Secondhand Heart is out now!

Being an indie author means there’s no constraints on what you write, how you write it, or when you release it. The keyword here is FREEDOM, and I think Kristen Strassel is mastering the art of creative freedom perfectly. As you may know, Kristen is typically a paranormal romance author. Her Night Songs Collection series features rock star vampires set in the underbelly of Las Vegas. This has been her identity as an author, and we love her for it because she does it so darn well.

But since Kristen is full of stories and understands that she isn’t labeled as an author by one genre, she’s stepped out of the vampire world and written a contemporary romance that sounds amazing. Kristen’s style is always fresh, funny, and sexy, and I promise, SECONDHAND HEART will deliver all the things that make Kristen’s fans love her.

Check it out!

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Title: Secondhand Heart

Author: Kristen Strassel

Age: NA

Genre: Contemporary Romance

Release Date: 10/7/14

 Goodreads

Amazon

 

Blurb:

Daisy Mangold thought she had her life figured out until a roadside bomb in Afghanistan changed everything. Now a twenty-one-year-old military widow, Daisy moves back home to start over.

Cam Hunter won the reality show The Spotlight, and thought he was on his way to becoming the next big country star. But when whispers of how he won begin to surface, Nashville is less than welcoming. After he loses his record deal, Cam heads back home to open a country bar.

When Daisy meets Cam, she isn’t sure she’s ready to let go of the ghosts from her past. Cam’s ex-wife isn’t ready to move on either, and the tragedy she causes will expose Cam’s secrets and shatter Daisy’s family.

Will Daisy be able to follow her heart into a future with Cam, or will her grief keep her trapped in a past that no longer exists?

 

EXCERPT

Cam came out on stage to the hoots and hollers of the crowd, of course, the loudest from the table of old broads. He motioned with his hands for everyone to shut the fuck up. “Thanks for coming out tonight.” His eyes scanned the crowd, but then locked on mine. I sat up straighter, the memory of how he looked at me last night when there was no audience burning me everywhere his mark lingered on my body. “Tell your friends, let’s support local music and make this a thing.”

Another roar of the crowd before the lights darkened just enough for Cam to jog off the stage, and a scruffy duo with blazers and harmonicas took his place. He pulled out the chair next to mine and put his head down on the table. I could hear the gasp rise out of the audience, even over the acoustic guitars from the stage.

I raked my fingers through his hair, then pulled his head up playfully.

“I’m dying,” Cam said when he looked up at me.

“Yeah, me too.” The waitress delivered a fresh beer. By the time I got to the bottom of it, I was going to feel like I was having an out of body experience. “But I love every minute of it.”

Crooked smile. Dead. “Me too.” His hand landed on my thigh, caressing my skin and working his way upward. Wait until he realized I was wearing a skirt. “I had a great time last night, Daisy.”

My skin was on fire, and I just looked at him with a dopey smile on my face. If I even tried to say anything, I’d just giggle like an idiot. So I just fixed his hair from where I messed it up before.

“I was wondering,” he looked down, tracing the outline of his drink coaster, shy. It was adorable. “If you actually wanted to see the bedroom tonight.”

“Tonight?” So this was an actual thing? He didn’t think last night was some mistake? Oh my god. Talk about jumping off of a cliff into shark infested waters.

He looked up at me, eyes sparkling. “Why not?”

He posed an excellent question. Although I could think of a million reasons why not, right now it was all just blah, blah, blah in my brain. Fear and excitement numbed my body, I felt like I was floating in the middle of the bar room.

“Okay,” I said, and he visibly relaxed. Holy shit, was he nervous about asking me to stay? This was not the position I ever expected to be in. “But I can’t stay all night.”

His jaw dropped. “Why?”

“Because I ran smack into my dad this morning. Horrifying.”

He closed his eyes and groaned. “Yeah, that’s so bad. You’re going to have to move out.”

What was he saying? Don’t read too much into this, Daisy. He wasn’t saying anything. He was just pointing out what I already knew, what my mother was so delicately hinting at earlier today. Time to move on. “Tell me about it.”

Anyway, I was just the rebound chick. I knew that.

We didn’t even make it out of his truck this time. I don’t know what it said about his neighborhood that no one called the police. We thrashed around on that tiny backseat, holding nothing back, even as cars came in and out of the lot. Hands sliding down steamed up glass, Titantic style. Loud, aggressive, and just the thing I needed to remind me why I was alive.

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About The Author

Kristen

Kristen shares a birthday with Steven Tyler and Diana Ross. She spends each day striving to be half as fabulous as they are. She’s worn many hats, none as flattering as her cowboy hat: banker, retail manager, fledgling web designer, world’s worst cocktail waitress, panty slinger, now makeup artist and author. She loves sunshine, live music, the middle of nowhere, and finding new things to put in her house.

Website | Facebook | Twitter

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Release Day Happy Dance & Review for Running Away by Julie Hutchings

 

Happy Book Birthday to Julie Hutchings and RUNNING AWAY!

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Running Away Final Cover

Running Away Blurb:

Eliza Morgan is desperate to escape the horrors of her mortal life and understand why death follows her, leaving only one man, Nicholas French, in its wake. He’s the one she loves, the one she resents, and the one fated to make her legendary among the Shinigami– an ancient order of vampires with a “heroic” duty to kill. He’s also decaying before her eyes, and it’s her fault.

On the ghostlike mountaintop in Japan that the vampires consider home, Eliza will be guided by the all-powerful Master for her transition to Shinigami death god. When Eliza discovers that sacrificing her destiny will save Nicholas, she’s not afraid to defy fate and make it so—even when Nicholas’s salvation kills her slowly with torturous, puzzle-piece visions that beg her to solve them. Both Nicholas and his beloved Master fight her on veering from the path to immortality, but Eliza won’t be talked out of her plan, even if it drives the wedge between Nicholas and her deeper.

Allying with the fiery rebel, Kieran, who does what he wants and encourages her to do the same, and a mysterious deity that only she can see, Eliza must forge her own path through a maze of ancient traditions and rivalries, shameful secrets and dark betrayals to take back the choices denied her and the Shinigami who see her as their savior. To uncover the truth and save her loved ones, Eliza will stop at nothing, including war with fate itself.

 

MY REVIEW

5 STARS!

When I read Running Home, I couldn’t wait to find out what would come of such an explosive ending. When I got my hands on Running Away, I was thrust back into the story immediately, immersed in the darkness that had descended upon Eliza. Hutchings is a gifted storyteller, with the ability to capture raw emotions and bring them to life on the page.

Running Away was so intense I couldn’t stop reading it, and spent the entire day flipping to the next page. I absolutely love love love the complexity of Eliza and Nicholas’s relationship. There is certainly nothing predictable about them, and that’s a great thing. I also love the new characters, especially one which I have a mega crush on. Seriously. ;)

What really impressed me about this book was the ending. I thought I knew what was going to happen. But then Hutchings took a right turn and I was shocked. While the ending is a cliffhanger of sorts, it didn’t leave me feeling cheated. There were decisions made, fates accepted, and the door was left open for a lot more story to tell.

About the Author Julie Hutchings

Me

Julie’s debut novel, Running Home, giving you vampires with a Japanese mythology pants kicking is available through Books of the Dead Press. Julie revels in all things Buffy, has a sick need for exotic reptiles, and drinks more coffee than Juan Valdez and his donkey combined, if that donkey is allowed to drink coffee. Julie’s a black belt with an almost inappropriate love for martial arts. And pizza. And Rob Zombie. Julie lives in Plymouth, MA, constantly awaiting thunderstorms with her wildly supportive husband and two magnificent boys.

Julie on Twitter: https://twitter.com/HutchingsJulie

Julie’s Blog: http://deadlyeverafter.com/

Facebook: https://www.facebook.com/DeadlyEverAfterBlog

Julie on Goodreads: https://www.goodreads.com/author/show/7104966.Julie_Hutchings

Other books by Julie & Buy Links:

Running Home on Goodreads: https://www.goodreads.com/book/show/17977192-running-home

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Cover Reveal: Silent Night by Kristen Strassel

Tammy Farrell:

Another Night Songs collection book!!! And I love this cover :D

Originally posted on deadlyeverafter:

It’s that time again!  The books are coming fast and furious this fall.  (No, I won’t be able to keep up this pace forever).  Everyone, please meet Kyndra and Aidan.  They’re bringing you book four in The Night Songs Collection, Silent Night.  It’s a standalone book that I’m billing as Pretty Woman meets Dracula at Midnight Mass.

What the hell do these two have to do with the rest of The Night Songs Collection?  Aidan created Talis and Cash, and he’s going to tell you his story, under the nom de plume of Allison Dubrois.

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BLURB:

This Christmas isn’t about celebration for eighteen-year-old Kyndra, it’s about survival. Grieving the loss of her grandmother and struggling with the indifference of her family, Kyndra now splits her time between her dead-end mall job, her junkie ex-boyfriend’s bed, and the streets. Longing to be close to her grandmother one more time, she wanders…

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Forging Your Own Path As An Indie-Author.

It’s been quiet over here on my blog lately. If you’ve missed me, I’m sorry. If you haven’t, then I really need to step up my game. :)

The reason I’ve been quiet and haven’t had any nuggets of wisdom to impart is because I’ve been a little lost myself lately.

Sometime between writing my sequel and now, I had an epiphany that has me rethinking my strategy as an author, and questioning my goals. When I first wanted to see The Darkness of Light published, I did what many of us do and I queried agents. I read everything I could about publishing, agents, sales, writing…basically anything that would help me mold my book into a marketable, successful piece of fiction.

But when I couldn’t find the right agent and decided to become an indie author, there was a problem forming that I wasn’t able to see until now.

THE GOAL

The goal of most authors is to write books. Have people read those books. And make money from those books.

That was my mission when publishing THE DARKNESS OF LIGHT. I’ve said before that one mistake I made with that book was taking advice about the content, and changing it to fit a certain industry standard. I thought I was doing the right thing, since the advice was coming from someone in the traditional publishing industry. I wanted my book to stand next to any other book you might find on store shelves.

THE PROBLEM

What that advice actually did was water down my novel and cut out things that were important to readers. It became clear once the reviews started coming in that readers wanted the things I was told to cut out. Interesting, isn’t it?

So once I began to write the sequel, THE EMBERS OF LIGHT, I was much more open-minded about content and less likely to cut certain things that may have been cut by a publisher. I still used beta-readers and a content editor, but we were all aware of the issues with the last book and were able to work with less restrictions. We’ll see how that pans out once Embers is released, but I already feel more confident that the story is complete.

In the last year, as I’ve learned to balance book promotion, writing, and growth as an author, I’ve begun to form opinions about publishing as a whole. A lot of the advice I see on Twitter and other social media platforms is geared towards the traditionally published novel. There are so many rules thrown around that it’s hard to keep up: No prologues, keep word count low, avoid characters with dead parents, overly strong heroines, overly weak heroines, no love triangles, no vampires, no werewolves, no cliffhangers, etc… The list really does go on, and on, and on. It’s exhausting trying to keep up with it all, and I feel bad for writers just starting out. They’ll have to learn what works for them and what doesn’t, just like I’ve had to.

THE LIGHT BULB WENT ON

I’ve had many conversations with my indie-author friends about the state of publishing and the comparison between the indie and traditional world. What I’ve realized is that if we want to be indie-authors, we need to STOP comparing ourselves with traditional publishing! I am an indie author by choice. I wanted to control my books and my own career. I’ve said it many times: I have NO regrets about choosing this path. What I do regret is confining myself within the parameters of a branch of industry I don’t belong to.

If my goal is: Write books, have people read my books, and make money from those books, then I’ve been going about things the wrong way. I’ve been killing myself trying to follow a guideline set by the traditional world. Why? Why should indie authors not write about things the traditional world deems overdone, when there are hoards of niche market readers spending buckets of money each day to buy these books? An indie-author writing within traditional guidelines is like a person writing Facebook updates in 140 characters because that’s the rules of Twitter. They’re both social media, but they’re different. The rules are different. And the market for each is different.

Take a minute and look up the vampire category on Amazon. Or look up shifters, historical romance, or anything 50 Shades of Grey-ish. Those books are selling! People are buying them like crazy. And while many publishers have decided to abandon those platforms (leaving money on the table) indie-authors are fulfilling that need and (gasp) selling books!

We all want to be respected within our industry. We would love to receive praise and accolades based on our work. I think that’s why indie-authors constantly walk a fine line between traditional rules and reckless abandon when it comes to our books. We don’t want to be the fools of the publishing world. But, for me, walking that line had become such an obsession it started to hamper by creativity. My days became more about following guidelines than letting my imagination rule.

THE RESULT

I wrote a secret book. After talking to a friend who’s having a lot of success in one of these niche-markets, I decided to create something that those readers might like. At first I’d intended to release it under a pen name. I didn’t want anyone turning up their nose if my book failed or if it fell into the “undesirables” category. Knowing that this book would be anonymous was incredibly freeing. And I had so much fun writing it.

But as I wrote, something strange happened– I began to love the characters. I didn’t expect that. And when I read my chapters, I saw myself in that book, heard my voice, and felt connected to the story.

Yes, this is a serialized niche-market novella. Yes, it’s probably never going to win me any awards or million dollar publishing contracts. But I love it, and had more fun writing this book than any other.

THE LESSON

I’ve abandoned my intention to release this book under my pen name and decided that I will own it as Tammy Farrell! I will own the fact that I wrote it and whether it sinks or swims will have no bearing on my future endeavors. I will always write more books. Some people will love them, and some won’t. But as an indie-author, I can release books quickly, I have control over the content, and I can decide for myself what works and what doesn’t. When this secret book is ready to be released, I promise I’ll let you all know. ;)

I have to be true to myself and STOP creating things limited by rules that don’t even apply to me. Writing is art. And art should never have any limits.

So the point of the story, friends, is that if you want to be an indie author, OWN IT! Embrace it. Bend the rules however you want and don’t let anyone’s opinion create doubt in your mind.

You will find success by forging your own path, and learning from experience. If you write a book about ghost accountants, and you find readers aren’t interested in them, then write something else. You have the power in your hands. That’s the beauty of being an indie-author. The possibilities are truly endless.

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KILLING DARKNESS Cover Reveal!

I absolutely LOVED Kat Daemon’s TAMING DARKNESS, and I’m SO excited for the release of its sequel KILLING DARKNESS. Nobody writes the Devil like Kat, nobody. ;)

Check out the new cover by S.P. McConnell. It’s hauntingly gorgeous.

The release date is TBA, but for now be sure to add it to Goodreads: KILLING DARKNESS

 

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Synopsis

Powerful, beautiful, and covered in scars…

Brielle, born of a mortal-immortal union between a human mother and the devil Himself, is prophesied to be the one capable of turning the tide in the brewing apocalypse.

As Brielle’s thirtieth birthday draws near, she strikes a deal with the devil and sets out on a journey of self discovery. In an attempt to comprehend what it means to be fully human, Brielle finds herself at the door of her therapist, Adam. Blurring relationship lines and questioning everything, she quickly learns that humanity, vulnerability, and love are things she isn’t prepared to handle. Distancing herself, she finds shelter in her father’s arms once more.

Two worlds are about to collide…

When the archangel Michael suddenly takes a deep interest in Brielle, Lucifer begins to understand that his greatest opponent is curious about more than just her choice. Michael’s fall will be Lucifer’s rise and only Brielle holds the key to making it happen.

With a human, an angel, and a demon all tearing at her heart, Brielle realizes it’s time to decide if her loyalties lie with Michael in Heaven or her father in Hell.

ABOUT KAT DAEMON

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Kat Daemon grew up in New York where her imagination always seemed to get the best of her. When she’s not hanging with demons, she’s usually armed with a strong cup of coffee and dreaming up her next tormented character.

She is the author of the The Darkness Saga. Book one of the saga, Taming Darkness, the story of the world’s most infamous fallen angel and the one woman who was able to hold temptation over him, is available now.

You can find out more about Kat and her books at www.katdaemon.com

Cover Reveal for Kristen Strassel’s SECONDHAND HEART

Today I have the exclusive…okay, maybe not exclusive, BUT the exciting cover reveal and excerpt for Kristen Strassel’s 5th release, SECONDHAND HEART. 

I ADORE the cover and can’t wait to read this one. Check out the cover and excerpt below and let me know what you think!

 

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Title: Secondhand Heart

Author: Kristen Strassel

Age: NA

Genre: Contemporary Romance

Scheduled to release: October 7, 2014

Cover designer: Designs by Hang Le

Goodreads

Pre-Order Link:

Amazon

Blurb:

Daisy Mangold thought she had her life figured out until a roadside bomb in Afghanistan changed everything. Now a twenty-one-year-old military widow, Daisy moves back home to start over.

Cam Hunter won the reality show The Spotlight, and thought he was on his way to becoming the next big country star. But when whispers of how he won begin to surface, Nashville is less than welcoming. After he loses his record deal, Cam heads back home to open a country bar.

When Daisy meets Cam, she isn’t sure she’s ready to let go of the ghosts from her past. Cam’s ex-wife isn’t ready to move on either, and the tragedy she causes will expose Cam’s secrets and shatter Daisy’s family.

Will Daisy be able to follow her heart into a future with Cam, or will her grief keep her trapped in a past that no longer exists?

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Excerpt:

The lights went down, and the crowd went wild and swarmed the stage. The VIP section was to the right of the stage, and elevated just enough that we could see everything perfectly. A cover band had played up until now, but Cam Hunter was headlining his grand opening celebration.

Ev and Bree cheered when Cam came onstage, so I did too, more to be polite. He was picking up my bar tab tonight, after all. I’d never met Cam in person. I’d only heard Ev rave about him and of course I’d seen him on TV. He was taller than I expected, his broad shoulders straining the fabric of his blue and orange plaid shirt. I know, the shirt sounds hideous, but it actually looked hot on him. Bree’d said it enough tonight, I was thinking like her now. He wore the top few buttons open, showing just a hint of his tan chest. I couldn’t see his eyes under the brim of his white cowboy hat, but his sandy hair curled around the collar of the shirt. He opened the show with his biggest hit, Lonely Heart Saloon, in case you were wondering where he got the name for the bar. I found myself staring at his lips as he sang the words of the song, watching them move in front of the microphone, wondering what those lips would feel like on my skin.

I shook myself back to reality, looking at Ev and Bree singing along, and I was the last thing on their mind. Looking back at the stage, I forced myself to look anywhere but Cam’s mouth. Only being able to see the lower part of his face drove me crazy. What was hiding behind those eyes? Were they laughing, twinkling? Hell, I didn’t even know what color they were, and suddenly, I needed to know.

Look away from his face. Jesus Christ. The faded denim made his thighs look amazing. Who the hell checked out thighs? Well, if you saw these thighs, they were worth checking out. On The Spotlight, Cam had been an overgrown, almost goofy kid, playing a role. Doing what he was told. Now, on this tiny stage just feet away from us in this club, it was obvious he was all man. All smoking hot man.

When Cam said good night and thanked us all for coming, I was surprised how disappointed I felt. I’d been so lost in watching him play, not only his guitar, but teasing the fans in the front row by dipping down low, those delicious thighs spread wide and staying just out of their reach, his fingers brushing their fingertips, I got so lost in my own fantasies that I forgot all about time.

After the show, my skin was all tingly and strange. Cam had awakened something inside of me I hadn’t even known was sleeping. But at the same time, it felt wrong. I shouldn’t be thinking that way about any man, yet. My husband hadn’t been dead a year.

But I wasn’t dead.

This was safe, lusting after some musician who didn’t know I even existed. No harm could come of it. Cam had built his entire career off of people wanting to be him or be with him. It was a fantasy, nothing more.

The crowd had thinned out a bit after the show, but since this was an Ev production, we were closing down the place. Bree babbled about the show, the songs I didn’t know. “Cam’s record company didn’t renew his contract. Can you believe that shit? So maybe he’ll be playing here all the time.”

If life could even be that kind. “It is his bar, so that would make sense. Cheap labor.” I giggled at my own joke. Beer made me hilarious. I thought so anyway.

“I read online that he’s thinking of taking a new direction with his music. Collaborating with some new songwriters and stuff,” Bree continued. “Maybe we’ll get to hear it first.”

Ev had disappeared again, to the mysterious backstage area. She came back out, with a huge grin on her face.

And Cam following her.

Holy shit, she was bringing him over to us. Bree started hyperventilating and squeezing my arm. “Calm down,” I hissed. “You’re going to break a bone. I can’t act cool if my arm is dangling below my elbow.”

“How can you even joke at a time like this? Oh my God, here he is.” Bree let go of my arm, and blood resumed flowing semi normally. I didn’t know what to say to him.

“Oh my God, I love you.” Bree’s teeth could never catch all the thoughts that came rambling out of her brain, even if she wasn’t at least three beers deep.

Cam took it in stride. “I love you, too.” He took her hand in his, and brought it up to his mouth and kissed it. Bree gave an Oscar worthy performance and did not faint.

“And this is my sister, Daisy.” Ev brought his attention to me.

His eyes were blue.

The kind of blue that jumped out against his tan skin, almost perfectly matched with his shirt. Somehow, my hand landed in his, I only knew because the electricity that danced along my skin.

“Evey’s told me all about you.” Nobody called my sister Evey anymore. It surprised me, and I liked it. I missed her being Evey. One side of his mouth went up higher than the other when he smiled, and the skin around his eyes crinkled at the corners. I knew too much time had passed for me to reply, but my brain kept short circuiting every time I tried.

“Not everything.” Ev bumped into him playfully. “You know, Daisy’s been looking for a job—“

“No, I haven’t.” What the hell was she doing?

Her mouth dropped, and she shot me a look as if she couldn’t believe I could be so stupid. “Do you have a job?”

“No.”

“So, as I was saying, my sister could use a job.” Ev rocked back and forth on her heels and batted her eyelashes at Cam. “You still hiring here?”

She totally caught Cam off guard. Great. “I’m sure we could make room for you, Daisy.” His smile made me melt, and almost forget I wanted to kill Ev. I liked the way my name sounded coming out of his mouth. “Why don’t you come in tomorrow for an interview?”

“Okay.” I think I squeaked. Ev, satisfied with mortifying me, moved in closer to Cam and continued chatting with him. He kept looking over at me, probably trying to figure out if I’d make a good bar back or dishwasher.

And he still held my hand.

“I’ve got to go. It was nice talking to you ladies.” He bowed his head and squeezed my hand one last time before he let go. “Daisy, let’s say, one tomorrow?”

I nodded, then watched him walk away and join another group. I know you’re wondering how his ass looked. Amazing.

 

About the Author:

kristenpic 2

 

Kristen shares a birthday with Steven Tyler and Diana Ross. She spends each day striving to be half as fabulous as they are. She’s worn many hats, none as flattering as her cowboy hat: banker, retail manager, fledgling web designer, world’s worst cocktail waitress, panty slinger, now makeup artist and author. She loves sunshine, live music, the middle of nowhere, and finding new things to put in her house.

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Finding Your Writing Routine.

With all the writing advice out there, how is one to know which advice is the best?

The truth is–there are no set rules to follow. Writing is not only a process of sharpening your skills, it’s about learning what kind of writer you are, what your process looks like, and what routine you need to be the most productive.

If you look back on the post How 12 Different Authors Write a First Draft, you’ll see how different the process is for everyone.

Technique aside, the one question I see asked a lot is: “How do I find the time to write?”

This is a tough one to answer because everyone’s needs are different. We hear often that writers should write every day. I used to believe this myself, but the more writing became a routine, the more I learned that writing every day doesn’t work for me.

By nature, I’m an all or nothing person. I have to force myself to be obsessive about projects, because if I step away for more than a few days, I’ve completely lost interest in working. I tend to write in bursts, and since I don’t have kids, I have a lot of freedom to set my schedule as it suites me. I’m sure this will change some day, but for now my writing routine is fairly simple. I treat writing like a full-time job. I wake up to an alarm, get dressed, and hopefully by 9am I’m sitting at my computer working. Once I get in the writing zone, I will usually work for 5-8 hour stretches of time, sometimes more, 7 days a week.

By the time I get through 8 hours of writing, I’m practically brain-dead and exhausted, so it’s not a pattern I can keep up for long periods. Once I reach a milestone–which is usually a finished draft–I take a break to recharge.

I usually read books the same way I write them–in bursts. So during my writing down-time I spend as much time as I can devouring as many books as I can squeeze in before I have to start working again.

When my novel is finally completed, edited and ready to go, I’ll take a month, even 2 months off to regroup. There might be days when the muse strikes and I’ll write out a quick chapter or start plotting, but I don’t force myself to write. It’s a nice break and it gives me time to develop ideas before I start putting them to paper.

Now, I know everyone doesn’t always have the flexibility to spend 8 hours a day writing. Back when I used to work a full-time job in advertising, I remember using the same pattern of burst writing, only I would do it at night. I would sit with a glass of wine (or four) in my apartment in Toronto and work from about 7-8pm to sometimes 2 in the morning. I love that I have more freedom with my time now, but I definitely miss those late nights of writing where all my best ideas were born (Mara, Corbin and Malcolm were created during those night writing sessions).

Finding the time to write, especially when you have a lot of other things demanding your attention, can be tricky. But you might find it easier to manage if you know what kind of writer you are. Are you a burst writer? Do you like to write one scene a day? Do you go back and read your work, editing as you go?

On twitter there’s a 5am Writers Club. They are the morning writers, and if you don’t have time at night, this is a great way to get an hour or two of writing in before work.

My writer/mom friends usually say the evening works best for them. They also say that the summer months are a toss up for writing. Most seem to wait until the kids are back in school before they really push themselves to get writing done.

The bottom line is, find out what KIND of writer you are, and then tailor a routine to meet your needs. If you’re okay with writing a chapter a week, GREAT! If you have to knock out half a book in a short stretch, FANTASTIC! But don’t give up. Don’t tell yourself that you don’t have the time. There is ALWAYS time to be found for writing, if you want it bad enough. Apparently humans spend up to two years of their lifetimes sitting on a toilet. Imagine two full years of time dedicated it writing *wink wink*.

I think for my next book, I’m going to try and adjust my routine a bit and give myself weekends off. That way I don’t find myself procrastinating on a Sunday because all I want to do is eat candy and have a netflix marathon. I’m learning that time off is important. :)

Tell me what your writing routine is. How do you find the time and what kind of writer are you?

 

 

 

What to expect from a developmental edit.

After months and months…and MONTHS of sweating over my drafts of THE EMBERS OF LIGHT, I finally got it to the point where it was ready for developmental editing. I think this is a step many indie-authors skip, thinking that beta-readers, critique partners and a proofreader or even better, a line-editor will suffice.

But let me tell you this. Unless you have a super-genius friend who KNOWS what they’re talking about, you NEED a developmental editor, otherwise known as a content editor.

I’ve had experience with two developmental editors or DEs, as I call them. The first DE I had for The Darkness of Light used a summary approach. I sent her the manuscript, she read it, and then sent me a three page detailed report, mostly written in point form, of areas I needed to fix, plot holes that needed filling, and certain word choices I needed to cut.

With her notes I was able to restructure my novel and make changes to certain scenes and characters.

The most recent DE I used for EMBERS was from Julie Hutchings (find her, she’s amazing!) It cost double the price, but it was worth every penny! The notes were line-by-line within the manuscript and included a summary. For me, this works better because I can follow her thought process as she reads. I can see what the reader sees and understand what a reader might need to stay interested in the book. Luckily for me, Julie also can’t seem to bypass typos. So in addition to line notes, she also gave me some grammar and punctuation corrections throughout the manuscript.

When I opened the document she’d returned to me, the first thing I saw was a sea of purple comment bubbles on the right side of my screen. But as I read through them, I saw how insightful and positive her comments were. Any critique or suggested change made perfect sense to me, and I feel like she really GOT the story (do you know how hard that is to find in an editor?). I had a few discussions with her on some of the changes, just to clarify what she thought would work best, and after sifting through all the grammar corrections, I got to work on the content.

I’m lucky this time, in that most of the changes needed are minor enough that I don’t have to do huge re-writes. Most of the comments/critiques involved character voice and the development of dynamics between certain characters.

I am SUPER happy with this edit and am working on the changes right now…well, right now I’m writing a blog but…you get what I mean. :)

Now, a lot of critique partners will also use this method of note taking, but remember, a DE is a person being PAID to give you an opinion. They know you expect them to be 100% honest about every single thing. THIS is why DEs are so important in the writing/publishing process. Not all of us can rely on beta-reader feedback alone.

What you should look for in a DE.

It’s important to choose a DE that works with other authors within your genre/category. For example, you don’t want a DE who is a YA author or only works with YA authors, to edit your erotic novel. Some editors are versatile, but if you pick the wrong DE and your vision doesn’t match theirs, you’re going to end up with a bunch of notes you don’t agree with and can’t use.

Pick someone who you believe will be honest, and when they are honest, don’t take offense. Editors spend a lot time going through your manuscript, and while you might not always agree with their suggestions, you don’t have to take their comments as a personal attack. Let the editor know your expectations prior to hiring them. Julie warned me that she would be really tough if she needed to be, and that was perfect because that was exactly what I was looking for.

Ask how they deliver their notes. Is it a summary? In document comments? How thorough are they going to be? You’d better ask what you’re getting for your money before you start shelling it out.

What comes next?

For the next couple of weeks I will work on the changes Julie suggested, and then do a final read-through of the entire manuscript. The next step (which is one no author should ever, ever, EVER skip) is the copy-editing/line-editing stage. Even though Julie made corrections for me, I need to have one final defense against typos, errors, bad sentences, and bad grammar. A line-editor is someone who goes through your manuscript and fixes ALL the mistakes. I think I learned a lot through my last edit for DARKNESS, so we’ll see if I have less errors this time around. :)

 

WE OWN THE NIGHT Cover Reveal & The Re-release of Because The Night and Night Moves!

You might recall a spotlight and review I posted a while back for Kristen Strassel’s Because the Night and Night Moves. Well these two novels have be re-VAMPED (get it), and have gorgeous new covers. But first, today is the cover reveal for WE OWN THE NIGHT, the third and final installment in the Night Songs Collection.

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The Ultimate Manipulation. 

Callie Chabot would stop at nothing to save her ex-boyfriend Blade Bennett from the clutches of vampire clan leader Talis de Rancourt, even if means becoming immortal herself. What she doesn’t know is that Blade has already defeated Talis, and he’s waiting for Callie in the afterlife.

Now Callie only has her creator, Tristan Trevosier, to turn to for guidance. But he’s too wrapped up in the debauchery of the Las Vegas rock scene to give a damn about the particulars of being undead. That’s enough to drive Callie crazy on its own, but female vampires are automatic clan leaders.

Not only does Callie have no idea how to wrangle a vampire clan, but her would-be followers have more to gain from her failure. They instead choose to follow Blade—and he’s hell-bent on making Callie pay for her bad decisions. Since he took out the existing clan leader, that automatically puts him at the helm of what should be Callie’s new clan.

A Master of Deception.

That’s when seasoned rogue vampire, Cash Logan, shows up, shrouded in magic and mystery. No one is sure which side Cash is on, but Callie needs to take a chance on the one vampire who is willing to give her the answers she needs, no matter how dark and frightening they may be. Callie must trust her instincts and form alliances that may backfire. Cash shows Callie that playing nice is no longer an option, and that fixing her wrongs won’t always make everything right.

To take control of her clan, Callie must look to her rival to discover exactly what makes her a leader.

Available September 1, 2014.

Add to Goodreads    Preorder on Smashwords     Preorder Audible

But be sure to check out BECAUSE THE NIGHT (re-VAMPED and only now only 99 cents!) and NIGHT MOVES first! These books are fantastic and both earned a 5 star rating from me :)

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Purchase on Amazon

 

 

Night-Moves-ebook-FOR-WEB Night-Moves-print-FOR-WEB

Purchase on Amazon